I come from a long line of artists. Illustrators on my father’s side, painters and designers on my mother’s. Basically, I grew up around people who were always making something, and no one acted like that was unusual.
The October Creative started the same way most of my favorite things start: as a tiny idea I kept making more complicated. At first it was stationery and logos and little pieces I made after work. Then it turned into a shop. Then it turned into a studio. Eventually I had to admit it was the thing I wanted to do for real.
Now I make hand-drawn illustration for people who want something personal, specific, and a little bit unexpected. Sometimes that means wedding work. Sometimes it means a brand illustration. Sometimes it means someone’s dog in a martini glass, which honestly tells you most of what you need to know.
I like work that feels charming without being too perfect. Pretty, but not polished flat. A little odd, but still warm. If that sounds like your kind of thing, you’re probably in the right place.
The name comes from October, obviously. It has always been my favorite month. Not because it’s spooky in the obvious way, but because everything feels a little more interesting then. The light changes. The colors get moodier. Normal things start to feel like they have a secret.
That is the feeling I’m usually chasing when I draw. I like work that feels romantic, a little imperfect, and specific enough that it could not belong to just anyone.
So an October Creative, at least in my mind, is someone who wants the pretty thing — but wants it with a little shadow, a little humor, a little story behind it.
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